Janua

Adrian Kay Wong’s paintings memorialize subtle narratives found within seemingly incidental moments of the everyday. Set in domestic interiors, his paintings abstract space through his incisive use of perspective, light and shadow, balanced with moments of representation that weave together personal memory and cultural identity. Within these extended vignettes, Wong examines the quiet dualities of daily life, navigating intimacy and estrangement, transience and permanence, belonging and isolation.

Fay Ku’s folkloric drawings depict otherworldly scenes inspired by myth, cultural history, and her own experience of displacement. As an immigrant navigating between two worlds, her practice reflects the fluidity of identity and how worldviews are encoded within culture. Ku’s work bridges past and present histories, acknowledging the darker facets of human nature through visual narratives that reveal the multiple stories we construct about ourselves.

Jocelyn Tsaih’s works are a portal into liminality created through interchangeable components and modular compositions. Her works examine how acts of selection and arrangement shape identity, using motifs such as gateways and fences as recurring framing devices, asking how identity is expressed, perceived, and understood. Having grown up between Asia and the United States, Tsaih's practice reflects on what we collect, how we adorn our environments, and how the objects we choose to surround ourselves with become expressions of both individual and collective identity.